Montana 1948 Dream Analysis Essay Example for Free

Montana 1948 Dream Analysis Essay David, after reviewing your dream, I have concluded that you care deeply for the Sioux that live in your area. I know this because you didn’t imagine them as the stereotypical Native American, such as the ones depicted in the movies. You imagined them as normal people in normal clothes. They are dressed in jeans, cowboy boots, cotton print dresses, and flannel shirts. As they congregated on top of Circle Hill, they talked low and mourned the death of Marie. They weren’t in battle formation, seeking for revenge on whoever was responsible for Marie’s death, they were paying their respects. You know that Native Americans are no different than any other person in Bentrock and don’t deserve to be treated any differently. I believe that you are dreaming this because you want Native Americans to be considered equal amongst other people in Bentrock and throughout the country. After over hearing your parents talking about the horrific acts that Frank committed against Marie, I’m sure your care for the Native American people greatly increased. If you expressed your feelings of Native Americans, they would be extremely grateful to you. In conclusion, your dream shows that you know the truth about the Native Americans in the Bentrock area. They are normal people that live normal lives. They are no different than the white majority. They wear jeans, cowboy boots, cotton print dresses, and flannel shirts just like normal people. The fact that you view them as normal people and not the stereotypical Native American shows that you respect the culture and people of the Sioux tribe in Bentrock while other people in the area, such as Frank, don’t respect them as much.

The Apocalypse of William S. Burroughs’ Naked Lunch Essay -- Apocalyps

The Apocalypse of William S. Burroughs’ Naked Lunch The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity too great for the eye of man. (William Blake, The Marriage of Heaven and Hell, p. 7) In 1980, William S. Burroughs delivered a speech at the Planet Earth Conference at the Institute of Ecotechnics in Aix-en-Provence titled ‘The Four Horsemen of the Apocalypse’.1 In this speech, Burroughs, following religious tradition, says that the four horsemen of the apocalypse are Famine, Plague, War, and Death and moves on to prophesise a more contemporaneous apocalypse. In Burroughs’ apocalypse, War and Plague, for example, have become allies; this alliance, Burroughs announces, ‘was cemented with the first germ experiments’ (Burroughs, 1984, p. 12). The danger of these experiments lies in their ability to not only create new viruses but to also turn them into biological weapons. But for Burroughs there is a significant similarity between a twentieth-century-specific apocalypse, with its radiation and contaminants, and the religious apocalypse of the four horsemen. For Burroughs, both types of apocalypse ‘have no meaning outside of human c ontext, they are in fact human inventions’ (p. 17). More specifically, they are the essential flaws in what Burroughs calls the ‘human artifact’ (p. 17) and in our evolution as a species. For Burroughs, the only way out is to first understand that our biological destiny ‘is in Space, and that our failure to achieve this is the basic flaw in the human artifact’ (p. 24). This speech constitutes Burroughs’ first appearance in the scene as an apocalyptist. Previous to this, he was best known as one of the fundamental members of... ... and McCain, Gillian, Please Kill Me: The Uncensored Oral History of Punk (London: Little Brown and Company, 1996) Morgan, Ted, Literary Outlaw: The Life and Times of William S. Burroughs (London: Pimlico, 1991) Mottram, Eric, The Algebra of Need (Canada: Beau Fleuve Series, 1971) Murphy, Timothy S., Wising Up the Marks: The Amodern William Burroughs (London: University of California Press, 1997) Pounds, Wayne, ‘The Postmodern Anus: Parody and Utopia in Two Recent Novels by William Burroughs’ in Poetics Today, 8:3-4, 1987, pp.611-629 Seltzer, Alvin, Chaos in the Novel, the Novel in Chaos (New York: Schocken Books, 1974) Ziegesar, Peter von, ‘After Armageddon: Apocalyptic Art Since the Seventies: Tactics of Survival in a Postnuclear Planet’ in Strozier, Charles B. and Flynn, Michael, eds., The Year 2000: Essays on the End (London: New York UP, 1997)

How does Hardy use language and poetic form to convey meaning and ideas in ‘Wagtail and Baby’?

The poem ‘Wagtail and baby’ is a commentary of the observations from the perspective of an infant by the side of a ford. The focus of the baby is the wagtail and it watches as various animals approach it. What causes the baby confusion is the animals cause the bird no stress, but when a man approaches the bird flys swiftly away in ‘Terror’ before he even gets close. Thomas Hardy has done this to show how the bird is at peace with nature and other animals and human involvement disturbs the ordinary harmony of nature.This refers to Hardy’s views on industrialisation at the time and how the greed of men was affecting and destroying the natural world. This creates an air of irony; as humans try improving their lives they deprive wildlife of theirs. The poem is arranged in quatrains with alternating rhyming couplets (ABAB). This creates a childlike quality to the poem like a nursery rhyme which compliments how it is written through the eyes of an infant. T his reflects how everything is new to the baby and it watches and learns from everything around it.The four quatrains each describe a new animal that comes near the wagtail. The way each is different and they come one after another shows how it is happening in that moment. The language he uses helps to portray his ideas in the poem. Again Hardy adds to the childlike theme by referring to the wagtail as a ‘birdie’ in the second stanza, this is the sort of thing a child would say on seeing a bird. His style is detailed and the use of poetic devices such as alliteration creates vivid imagery.Alliteration such as ‘blaring bull’, ‘a stallion splashed’ and as he describes the mongrel as ‘slowly slinking’ portray a certain movement which the reader then picture in their minds. The movement of the bird is also described in detail the use of verbs ‘twitch and toss’, ‘clip and sip’ showing sharp, quick movements as if the bird is slightly on edge until realising it is only a fellow animal nearby. These little controlled movements of the bird contrast the larger clumsy movement of the  animals, this highlights the fact the bird isn’t fazed by their size even though he is much smaller.The manner in which the wagtail is so unaffected by other animals is strange. The ‘Blaring bull’ is a great powerful animal and is associated with aggression and yet the tiny wagtail does not see the bull as a threat. When the ‘stallion splashing’ causes the bird ‘nearly sinking’ in the water it manages to ‘hold its own unblinking’ doesn’t even bat an eyelid though something so big is near despite the obvious disruption and the fact it could easily hurt the fragile bird.Even the mongrel ‘slowly slinking’ has no effect on the bird, though ‘slinking’ can be associated with hunting and a stalking prey which should alarm the b ird as it is vulnerable. People would be scared of a bull so the baby sits and wonders why the bird isn’t, and how it doesn’t feel threatened by the large creatures around it. These all show how the wildlife are at peace with each other. That is what makes the last stanza so profound that the ‘perfect gentleman’ is the one to make the bird ‘disappear’.When forming the image of a ‘perfect gentleman’ in your mind, someone high up in society, respected and conducts themselves within the rules of society is what we expect. It seems odd that the bird would be afraid of a man when he causes no disruption to it and isn’t even close. It’s as though the man is not part of their world so the bird is unfamiliar with his presence or has seen other men before hurting nature. Even though the man is the best in human society he still scares the bird like a predator would, Hardy has done this to show even the best of us are seen as evil by nature.Something else that adds to the shock of this is that the baby has been sat watching and the bird was not afraid. Hardy has done this to show the baby is innocent and naive and has not yet turned into the greedy monster that is man. The baby causes no threat and because of its innocence is accepted by nature. The poem ends with ‘The baby fell a-thinking’ this is showing that the baby is confused because even though it doesn’t yet understand the world it can’t see why the bird would be scared of a human but not a big animal.The baby has only known the man caring for it so has not seen the side of man that the wagtail has. Thomas Hardy uses poetic devices to convey his ideas within this poem. He uses irony to show how humans try to improve their lives with industry and in turn destroy the habitats of wildlife. Hardy uses detailed descriptions to create vivid imagery and contrast the difference between man and animal again showing irony as the one that made the least disruption frightened the bird away. He uses alliteration for emphasis and his structure to reflect the state of mind of the baby viewing the scene. ï » ¿How does Hardy use language and poetic form to convey meaning and ideas in ‘Wagtail and Baby’? The poem ‘Wagtail and baby’ is a commentary of the observations from the perspective of an infant by the side of a ford. The focus of the baby is the wagtail and it watches as various animals approach it. What causes the baby confusion is the animals cause the bird no stress, but when a man approaches the bird flys swiftly away in ‘Terror’ before he even gets close. Thomas Hardy has done this to show how the bird is at peace with nature and other animals and human involvement disturbs the ordinary harmony of nature.This refers to Hardy’s views on industrialisation at the time and how the greed of men was affecting and destroying the natural world. This creates an air of irony; as humans try improving their lives they deprive wildlife of theirs. The poem is arranged in quatrains with alternating rhyming couplets (ABAB). This creates a childlike quality to the poem like a nursery rhyme which compliments how it is written through the eyes of an infant. T his reflects how everything is new to the baby and it watches and learns from everything around it.The four quatrains each describe a new animal that comes near the wagtail. The way each is different and they come one after another shows how it is happening in that moment. The language he uses helps to portray his ideas in the poem. Again Hardy adds to the childlike theme by referring to the wagtail as a ‘birdie’ in the second stanza, this is the sort of thing a child would say on seeing a bird. His style is detailed and the use of poetic devices such as alliteration creates vivid imagery.Alliteration such as ‘blaring bull’, ‘a stallion splashed’ and as he describes the mongrel as ‘slowly slinking’ portray a certain movement which the reader then picture in their minds. The movement of the bird is also described in detail the use of verbs ‘twitch and toss’, ‘clip and sip’ showing sharp, quick movements as if the bird is slightly on edge until realising it is only a fellow animal nearby. These little controlled movements of the bird contrast the larger clumsy movement of theanimals, this highlights the fact the bird isn’t fazed by their size even though he is much smaller. The manner in which the wagtail is so unaffected by other animals is strange. The ‘Blaring bull’ is a great powerful animal and is associated with aggression and yet the tiny wagtail does not see the bull as a threat. When the ‘stallion splashing’ causes the bird ‘nearly sinking’ in the water it manages to ‘hold its own unblinking’ doesn’t even bat an eyelid though something so big is near despite the obvious disruption and the fact it could easily hurt the fragile bird.Even the mongrel ‘slowly slinking’ has no effect on the bird, though ‘slinking’ can be associated with hunting and a stalking prey which should alarm the bird as it is vulnerable. People would be scared of a bull so the baby sits and wonders why the bird isn’t, and how it doesn’t feel threatened by the large creatures around it. These all show how the wildlife are at peace with each other. That is what makes the last stanza so profound that the ‘perfect gentleman’ is the one to make the bird ‘disappear’.When forming the image of a ‘perfect gentleman’ in your mind, someone high up in society, respected and conducts themselves within the rules of society is what we expect. It seems odd that the bird would be afraid of a man when he causes no disruption to it and isn’t even close. It’s as though the man is not part of their world so the bird is unfamiliar with his presence or has seen other men before hurting nature. Even though the man is the best in human society he still scares the bird like a predator would, Hardy has done this to show even the best of us are seen as evi l by nature.Something else that adds to the shock of this is that the baby has been sat watching and the bird was not afraid. Hardy has done this to show the baby is innocent and naive and has not yet turned into the greedy monster that is man. The baby causes no threat and because of its innocence is accepted by nature. The poem ends with ‘The baby fell a-thinking’ this is showing that the baby is confused because even though it doesn’t yet understand the world it can’t see why the bird would be scared of a human but not a big animal.The baby has only known the man caring for it so has not seen the side of man that the wagtail has. Thomas Hardy uses poetic devices to convey his ideas within this poem. He uses irony to show how humans try to improve their lives with industry and in turn destroy the habitats of wildlife. Hardy uses detailed descriptions to create vivid imagery and contrast the difference between man and animal again showing irony as the one that made the least disruption frightened the bird away. He uses alliteration for emphasis and his structure to reflect the state of mind of the baby viewing the scene.

Current Proposed Cuts University Funding Will Damage...

Current proposed cuts to university funding will damage Australia’s education system The Australian education system provides primary, secondary and tertiary education. School education is primary and secondary while tertiary education includes both higher education (including universities) and vocational education and training (VET) (Elcom 2013). Australian qualification framework (AQF) is a national policy, government-authorized and nationally accredited, covering tertiary education sector. The AQF has 10 levels and links school, vocational and university education qualifications into one national system (Elcom 2013). With respect to funding education, each state or territory government provides funding and regulates the public and private schools within its governing area while the federal government helps fund the public universities (Elcom 2013; King 2001, p. 190). The universities are predominantly government-owned and relay on government funding for their main source of income to run their everyday business and they argue that the reduced funding would bring a crisis in higher education system (King 2001, p. 191). On the other hand, government of all political persuasions seems to accept university funding as trivial government agenda. Even though, recently elected coalition government has announced an increase in research funding, the package seems too little compare to recent university funding cut (King 2001, p. 191). 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